They instead prefer hand-illustrated typefaces centered around Postmodernism, and rejecting conformity. The directors mission in creating this film was to show the world that a typeface doesnt just pop up from your computer programs, that there are interesting people and stories behind them. The initial interviews discuss the original creator Alfred Hoffmann, and his goals for creating a clean, legible type relating to the ideals of the Modernist movement. Because all the letters . The limited (1,500 copies) edition includes Gary Hustwit's autograph. Helvetica: A Documentary, A History, An Anthropology. Wim Crouwel: The meaning is in the content of the text and not in the typeface, and that is why we loved Helvetica very much. well, it's like a person, if you are slightly, you're not going to walk around in tight T-, And Helvetica is heavy in the middle. Strong and modern serif typefaces were becoming quite popular in Europe and the rest of the world for just that reason. If you are an aspiring designer and have not yet watched Helvetica, it is time you do so. This is surely the best documentary I have seen. 2 Mar. it wasn't intended to be this cool thing, Well, we are less obsessed with Helvetica. designing will be still being used in twenty, l got married about three years ago. one of the artists of the Stijl movement. . . Helvetica examines the development and use of one of the worlds most popular typefaces. So, he said, why don't we call it Helve-ti-ca. It's like going to McDonald's instead of thinking about food. but with a new set of theories to support it. Beyond her commentary, however, Helvetica is largely an insiders view of the font. FAQ A mainstream documentary on the worlds most popular font attests to the ubiquity of graphic design. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. Drink Coke, That is a quality they all want to convey. But there's one you probably see more than any other one, and that's Helvetica. Michael Bierut: Everywhere you look you see typefaces. Gary Hustwit has produced five feature documentaries, including, trifecta of design-oriented films, the second of which was. Wim Crouwel: You're always a child of your time, and you cannot step out of that. l love Modernism. But if you're one of those who never bothers to change the default font in your Word documents from Times New Roman, then I'd recommend you stay away from this film altogether. Helveticahad its World Premiere at the South by Southwest Film Festival in March 2007. of a typeface without resorting to things are. While the idea of this as a documentary is very good and the film has as much energy as it can about a font, it is a long 80 minutes. There was a time when I was editor, publisher, and writer of a small newspaper in Spain. so l'm never sort of a classical type guy. l want to go a little bit bigger scale now. Alfred Hoffmann: [showing book of type samples] Here are the first trials of Neue Haas Grotesk, which was the first name of Helvetica. If that is your idea of a good time, you'll love this. It's a little worrying, I admit, but it's a very nerdish thing to do. of a movie or play that they're watching. But, interestingly, the film is not asking you to like it, only accept its homogenous nature. Must watch for designer, to add a perspective about helvetica. An edited version of the film was broadcast in the UK on BBC One in November 2007, as part of Alan Yentob's Imagine series. Leslie Savan: Helvetica has almost like a perfect balance of push and pull in its letters. The Econ Extra Credit team sat down with David Brancaccio to ask him what he thought of the eponymous documentary. Both logos work and both logos are timeless. I get kicks out of looking at type. And certain things shouldn't be messed with, you know? Helvetica examines the development and use of one of the worlds most popular typefaces. use and the letter spacing and the colors. Massimo Vignelli: You can say, "I love you," in Helvetica. Is this a movie for committed typophiles or for a world increasingly aware of typography? l'm a Gemini, l had my birthday yesterday, So l have this horrible thing, which comes, They're never perfect. However, they are anonymous members of a crowdthe public really doesnt have an audible voice here. lt seems like air, it seems like gravity. A novel idea back then to use two words close together but separated only with color. The Hass Foundry and the Hoffman family keep the original artwork for the design of the typeface as a way to remember just how important this new design became over the years and how it influenced design thinking around the world. Later, other interviewers point out criticisms of Helvetica. lf you take a figure like Massimo Vignelli. Related Videos 1:16 Typecast Typecast 1:38 The Frankenstein Theory The Frankenstein Theory 3:16 Borat: Subsequent Moviefilm Trailer Helvetica is a documentary that interviews many graphic designers involved in the history or modern usage of the Helvetica typeface. Lars M?ller: And I think I'm right calling Helvetica the perfume of the city. Helvetica was Hustwits directorial debut and the first of a Show more I mean you can't imagine anything moving; it is so firm. One of the biggest things to happen to typography in recent years is hinted at near the end of the film, when Poynor talks about how members of the general public are becoming not just a passive audience for typefaces, but users in their own right. lt's been around for fifty years, coming up. As a future architect, i felt close to many of what's depicted here. It is interesting how many subcultures there are concerning topics that most people rarely think about--model trains, Shaker furniture, Stone Age tools, and so forth. A documentary about a typeface? Helvetica encompasses the worlds of design, advertising, psychology, and communication, and invites us to take a second look at the thousands of words we see every day. They give words a certain coloring. The type in an instant, in a single image, tells the story of its making, tells you about. The packaging of the Blu-ray version was designed by Experimental Jetset, who also appeared in the film, and printed by A to Z Media.[3]. The documentary kept my attention to the endperhaps partly because I know so many of the players personally and have my own lifelong bond with the typeface. and then someone is offering you a clear, refreshing, distilled, icy glass of water. Designers and writers explain how Helvetica was used by government entities because it gave them both an authoritative and human aspect at the same time. It is considered the most widely-spread font in the Western world. We thus move rhythmically between the designers voice from inside the studio to the public life of the typeface on caf signs, billboards, subway graphics, and so on. I just did what made sense to me. It looks at the proliferation of one typeface as part of a larger conversation about the way type affects our lives. Coke. Erik Spiekermann: It's air, you know. Other designers dislike Helvetica on the grounds of ideology. Helvetica is considered to be one of the most popular and widely used typefaces in the world. Its use became a Compare the logos of American Airlines and American Apparel. . Inclusion of the font in home computer systems, such as the Apple Macintosh in 1984, only further cemented its ubiquity. illustration is already from that period, and we were impressed by that, because it, it shouldn't have a meaning in itself. Offering a perspective from outside the profession, Savan talks about Helveticas social role in cleaning up corporate images. l've done other people's wedding invites. or aesthetically or culturally or politically. The documentary shows the life cycle of this font mostly by the differing opinions of the artists that they interview throughout the movies. Fans of Helvetica tout its legibility and its versatility, but not everyone is a fan. All featured designers in the film tell their story around Helvetica and how it framed their design growth. ln a way, Helvetica is a club. It's like being asked what you think about off-white paint. lt's . A diatribe (by some) about a font seen that design is part of that need to rebuild, And it's Swiss designers in the 1950s who. But they'll be, And to my way of thinking, that is a huge, Something about the fact that people keep, that would sort of say it's not just because, it's not just because it was associated with, the rightness of the way the c strokes are, l mean, l wouldn't have believed that those, Yet we sort of have nearly fifty years of, daring people to fix it. This movie is brilliant. As a film it's boring, but as a font movie it is amazing! l mean you can't imagine anything moving; it's a letter that lives in a powerful matrix of. Some designers condemn this development as the death of quality and the rise of mediocrity, while others see it as a potentially revolutionary expansion of design markets and creativity. A Highly Unusual and Insightful Documentary, Engaging and accessible documentary with good structure and contributors. ln my case l never learned all the things l, l'd say, ''What's the big deal? I think typography is similar to that, where a designer choosing typefaces is essentially a casting director. However, I felt like there wasn't much to this film. What is bad taste ubiquitous? In addition to showing at AIGA chapter events and schools of art and design, the documentary has played at film festivals including Hot Docs, Full Frame, SXSW, and even the International Istanbul Film Festival. After Helvetica comes Objectified about Industrial Design and then Urbanized about architecture and urban design. There is a global conspiracy scheming to control the general populace that is run by the most unlikely suspects: graphic designers. As such this sat on my "watch this" list for over a year I'd guess, as a perusal of my queue always offered me something that seemed better or, if I'm honest, easier to watch. WebHelvetica is a feature-length documentary about typography, graphic design and global visual culture. How much success this font would have continued to have had the computer revolution not occurred is a matter of some debate. However, it got quite repetitive and self-congratulatory so I can't give it a higher rating. (We think typography is black and white, he says. But that's the type casting its secret spell. Typography is really white. The letter A is another letter that you can use to help you spot Helvetica. Erik Spiekermann: I'm obviously a typeomaniac, which is an incurable if not mortal disease. It seems like gravity? because it's half straight and half round; which is another vertical dimension that l, lf you've got an h you've got an awful lot of, lf you've got a p you've got q and b and d, And then just as soon as possible l would, something is so critical in judging it as a, because l find that is the acid test of how a, is these horizontal terminals, you see in the, It's very hard for a designer to look at these, before it was Helvetica. What are you. You know, there it is, and it seems to come from no where. Those decisions you make become expressions of who you are.. In light of that I was interested in this documentary about the most popular typeface designed. l certainly can write a few, lt just had all the right connotations we, The 1950s is an interesting period in the, after the horror and the cataclysm of the. to bring two or three layers into the work. We were all a little shocked. | l've got to, You know, l wake up and usually l want to, l mean, everybody puts their history into. Directed by Gary Hustwit, it was released in 2007 to coincide with the 50th anniversary of the typeface's introduction in 1957 and is considered the first of the Design Trilogy by the director. The slogan underneath: lt's the Real Thing. all those problems aren't going to spill over, What l like is if this very serious typeface. Switzerland use the font as its hallmark for example, It aired in January 2009 as part of the Independent Lens series on PBS in the United States. This was in the days before blogging made everything cheap and easy, it cost money. In contrast, shooting printed matter directly from books or magazines works surprisingly well throughout the documentary, especially in a scene where Bierut shows us quirky typefaces from a magazine in the 1950s, followed by a Coke ad from the 60s set in Helvetica. This is surely the best documentary I have seen. In a million years it would never have occurred to me to do a documentary on a type font. Helveticais a feature-length documentary about typography, graphic design and global visual culture. The film subsequently toured film festivals, special events, and art house cinemas worldwide, playing in over 300 cities in 40 countries. Erik Spiekermann: I mean, everyone puts their history into their work. had five guys go out in the hallway of CBS, And they really tried, they rehearsed for a, ''Now you can appreciate the Beach Boys.''. Period. There's no choice. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); document.getElementById( "ak_js_2" ).setAttribute( "value", ( new Date() ).getTime() ); WatchDocumentaries.com | Games | Quizzes | Contact |Privacy & Terms | Manage Cookies |Advertise | DMCA. With its clean, smooth lines, it reflected a modern look that many designers were seeking. The subject is at once esoteric and universal. "Helvetica Quotes." For example, Stefan Sagmeister believes that the typeface is too boring and limiting. Helvetica is a feature-length independent film about typography, graphic design and global visual culture. Typefaces express a mood, an atmosphere. They play a very subtle and almost unnoticed and usually uncommented upon role in our daily lives. Palinopsia (Whats Up with Eagle and Serpent? The Helvetica font was developed by Max Miedinger with Edard Hoffmann in 1957 for the Haas Type Foundry in Mnchenstein, Switzerland and quickly became an It should be this crystal goblet there to just hold and display and organize the information. Desktop publishing didnt exist, and even graphic designers had little direct access to fonts, relying on expensive typesetting services to get the real thing and muddling along with Presstype, specimen books, and pencil sketches. Originally named Neue Haas Grotesk (New Haas Grotesque), it was rapidly licensed by Linotype and renamed Helvetica in 1960, being similar to the Latin adjective for Switzerland, Helvetia. You're telling an audience, This is for you, because they use a typeface that they only, You can buy it; l have it; anyone can, it's, lf they'd used Helvetica. Through the story of a typeface and its influence you can learn even about yourself and how its involved in your own life. . Helvetica, ostensibly a film about a typeface, delves into the world of graphic arts and takes a deeper look into style changes and the controversies over the role of the graphic designer since World War II. Framing the interviews are images of Helvetica from the streets of European and American cities. The initial interviews discuss the original creator Alfred Hoffmann, and his goals for creating a clean, legible type relating to the ideals of the Modernist movement. 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